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Viking Knit Bracelet (2009)
Fine silver, sterling silver
Nalbinding, cold connected
L 20.5 cm x W 0.4 cm
I’m hard at work on the tutorials for my class, so this week’s project is the product of that work. I’ve been doing a lot of photography, and editing and layout. I’ve been pretty much eating, sleeping and breathing the project. The first tutorial is finished, and the second is well in hand. Four to go… and six weeks until the classes start.
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Viking Knit Torus (2009)
Sterling silver
Nalbinding
L 55 mm x W 55 mm x D 10 mm
I’m insane.
People who know me are familiar with this quirk in my personality, but every now and again I feel compelled to demonstrate it. Hence, this week I decided – despite numerous pressing deadlines – I absolutely had to attempt making a torus out of viking knitting.
Nalbinding was historically used for things like socks, mittens, bags, hats and the like. In wire, it’s been used mostly for chainwork. To the best of my knowledge, no one has tried using it for sculptural wirework, and certainly no one has tried using it to construct a torus. Loren Damewood, who I’ve had the pleasure of meeting, has made a toroid bracelet out of string, with plans to attempt it in wire, but his technique is marlinspike knotting.
Thanks to my experience making the Merry Meet necklace, I decided to make the first attempt in polymer coated wire. I have pounds of the stuff, and it’s great for experimenting. Unfortunately though, it doesn’t lend itself to annealing, which meant I could only get as far as shaping the torus. I couldn’t finish the seaming without risking wire breakage.
I’m contributing that first piece to The Metal Arts Guild of Canada’s call for Nuit Blanche 2009.
I’m completely obsessed with this idea, so decided that I would try one in silver. At the Zilberschmuck “Connection” opening a couple of weeks ago, I was talking to Charles Funnell about viking knitting. He had been trying to do some chainwork and was finding it challenging. I commented that it would work better in fine silver than in sterling, because the metal is more maleable. Unfortunately, the only fine silver wire I have on hand at the moment is 28 ga, and the idea of doing it in that fine a gauge really didn’t appeal to me. So, I decided to try 24 ga sterling in dead soft.
Well…
It was easier to work than the polymer coated copper, but I still ended up with a blister on my pinky from pulling wire. After a while, even wearing a bandage on the finger didn’t help. Yes, I suffer for my art…
The main challenge of a torus is making it seamless. The rest is just like making tubing. I figured out a way of making the stitches nice and tight, thanks to a tool that Loren uses for his turks head knot rings. Three stitches before the finish, and despite frequent annealing, the wire broke on me! :bang head:
Luckily the repair was easy, and I was able to finish it up. I spent far too many hours on this, but I’m very pleased with it and want to make more as time and my finger permit. The ghost of Frank Hoffmann is whispering in my ear again though: for the amount of work involved, I should be making it in gold.
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In preparation for my class at the Haliburton School of the Arts this summer, I asked my beloved husband to prepare some tools for the viking knitting segment. My older son, Thumper, was very keen to help.
Thumper has recently become complete fascinated with machinery. I’m not sure if this is a reaction to the movie “Wall-E”. Anyways, he’s been drawing fantasy machines and coming up with all kinds of interesting names for them, most of which end in some denomination of 1000. “This is a Cheese Grater 2000!” “This is a Hopping Frog Truck 3000!”.
So, of course, he was very interested in what Daddy was constructing. It’s just simple dowel holder, which gets clamped to a work surface. Thumper decided it needed a name. After asking what it was used for, and being told “viking knitting”, he said “Let’s call it the “Vik-Knit 3000!”"
I keep trying to come up with a “Ginsu Knife” type infomercial to go with the name. “The Vik-Knit 3000 will make your viking knitting a breeze! Clamp it to the desk and you’re ready to go! It will practically do the knitting for you! But wait! There’s more! Order the Vik-Knit 3000 now and you’ll get two – count ‘em – TWO! different sizes of dowels!”
LOL. Anyways, it was just too cute not to share.
Viking Knit Ring (2009)
Fine silver, malachite, howlite
Nalbinding, single knit, constructed, cold joined
I finally got back to writing this week! I have six tutorials to write in preparation for my class in Haliburton in July. So far I have completed writing the draft on one of them. Photos and actually putting the tutorials together are still outstanding. I’m keenly aware of how quickly the time is going, so a few weeks ago I decided to put Tigger into daycare two days as week. That is giving me several hours of uninterrupted work time, since it co-incides with the days that Thumper is in school. What Heaven!
Usually I make the project, writing the steps as I go. Then I put the text aside for a week or so, come back to it and reconstruct it following my instructions. If I stumble on any part of it, that means a rewrite is in order. Refining continues as I take the photos and do the layout. Lots of work… which means I gotta start makin’ like a bread truck and haul buns…
This week, I was working on instructions for viking knitting. I experimented with incorporating 2 and 4 mm beads, which led to a screw up – err… “Design Choice” – when I went to draw the chain. I ended up having to take the chain apart, but salvaged enough to make this ring. It’s been an interesting experiment in timing myself as well – construction of enough chain to make a bracelet is taking a little over 2 hours. Adding the beads was just for my amusement, and won’t be part of the final instructions.
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Mother & Child Pendant (2009)
Sterling silver, formed, flame-worked
L 5.4 cm x W 2.4 cm
It’s Mother’s Day, so my piece this week is in honour of Motherhood.
I’ve had pregnancy on my mind a lot in the last week, because last weekend I had a miscarriage. That was why I didn’t post anything for Week 18. What bugs me is not that I had the miscarriage – it’s that I had originally planned to wait until May 1 to do the pregnancy test. Had I followed through, I would never have known I was pregnant. Instead, I did the test on the 27th. My husband was completely gobsmacked when I told him the news: he thought I was too old to have any more babies. I had to explain to him that even though I am of a somewhat advanced childbearing age, until I actually stop having periods, I can still get pregnant. On the 30th I went to visit my GP, and that afternoon I started spotting. I spent the evening at Emergency, where they took some blood and sent me home. On Saturday, I started bleeding in earnest, so I went back to Emerg, where more blood tests and 5 hours of waiting confirmed what I already knew: the pregnancy had aborted.
I knew the chances of this baby going full term were very slim. I’m on medication that can cause birth defects, and, in the second and third trimesters, is toxic to the fetus. Even that aside, this would have been an extraordinarily difficult and potentially life-threatening pregnancy because of my various health conditions. I swear, my warranty ran out after I turned 40…
I’m sad, but not as upset as I was with the miscarriage two years ago. More than anything, the experience has left both my husband and I wishing we had met ten years earlier. I am able to take comfort in the idea that I am still “Mommy” to five children: two I cuddle every day, and now three others I cuddle in spirit.
So, here is the Mother, full with her Child. The design is a bit abstract, and I decided that it would not work without a bit of soldering. I’ve wanted to do a Mother & Child piece for a long time, and, I’m pleased to finally have a design I like.
Happy Mothers Day to all the Mommies who read this 
.
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