Join me on Facebook Live

 

Since December 2016, I’ve been doing weekly “Behind the Scenes” broadcasts on my Facebook Business Page

 

I share what’s going on in my studio, and what’s coming up. For example, this week, I was talking about The Year of Jewelry Project 2017, and my progress on creating videos for Part 2 of the Foundations Skills Course. My goal in doing these broadcasts is to connect with you in a more meaningful, immediate way, to keep you up to date, and to keep myself accountable and on track :). 

 

 

In addition to sharing the projects I’m working on, I also occasionally do live project demos. (Hint! There’s one coming up in February!)

 

Look for the announcements posted to my Facebook business page for when to tune in! 

 

Fall 2012 / Winter 2013 Class Schedule updated!

Fall 2012 / Winter 2013 Class Schedule updated!

I’m pleased to be teaching classes again this Fall and Winter at George Brown College!

Classes offered this Fall are:

Jewellery Wire Art I – October 14-November 4, 2012
Chain Making – November 24-December 1, 2012

Classes offered this Winter are:

Jewellery Wire Art I – February 24-March 17, 2013
Jewellery Wire Art II – April 14-May 5, 2013
Chain Making – November 24-December 1, 2012

 

Please see my Classes page for more details and links to the registration pages.

Upcoming Workshops: Beaders Best 2012 in Hamburg, Germany

Upcoming Workshops: Beaders Best 2012 in Hamburg, Germany

UPDATE – June 4, 2012

Putting together a trip like this means a lot of planning and considerable expense.  Unfortunately, things have not come together the way I would like, and so I’ve made the very difficult decision to cancel these classes.  I want to thank Verena Greene-Christ of Perlen Poesie magazine, who made a terrific effort over the last couple of days to find a workable solution – maybe next year!

 

Previous

It’s going to be a busy summer!  In addition to returning to Haliburton this year, I’m scheduled to teach five workshops at the Beaders Best Perlenkunst Messe in Hamburg, Germany from August 17-19, 2012 .

Sponsored by Perlen Poesie magazine, this second annual show features beadwork, wirework and metal clay from all over Europe and North America.  As the only Canadian instructor, I’m excited about teaching in Germany – and in German – for the first time.  (The courses are listed as being taught in English with German translation, because I requested a translator in case I get stuck.)

More details about the classes can be found here.

 

Es wird ein arbeitsreicher Sommer sein! Neben der Rückkehr in Haliburton, werde ich dieses Jahr  ab August 17-19, 2012 fünf Kurse am Beaders Best Perlenkunst Messe in Hamburg, Deutschland lehren.

Gefördert durch Perlen Poesie Magazin, bietet dieses zweite jährliche Messe Perlenkunst, Drahtkunst und Silber Clay aus ganz Europa und Nordamerika. Als die einzige kanadische Lehrerin, bin ich über den Unterricht zum ersten Mal in Deutschland – und in deutscher Sprache – begeistert . (Die Kurse werden als in Englisch mit deutscher Übersetzung gelehrt aufgeführt, weil ich nach einem Übersetzer fragte, falls ich stecken bleibe.)

Weitere Details zu den Kursen finden Sie hier.

 

YOJ11-14 The Keeper of My Secret

YOJ11-14 The Keeper of My Secret

YOJ11-14 The Keeper of My Secret The Keeper of My Secret (2011) Copper, fine silver, sterling silver, Swarovski crystal Formed, cold-joined, liver of sulphur & ammonia patinationThe Keeper of My Secret (2011)
Copper, fine silver, sterling silver, Swarovski crystal
Formed, cold-joined, liver of sulphur and ammonia patination
L 3.68 cm x W 2.25 cm x D 1.91 cm

After finishing the locket in Week 11 I said I wasn’t going to work on one of these again for a while, but the idea for this piece refused to stay quietly in the recesses of my mind.

I’ve been thinking a lot about secrets.  What private little treasures do we wear close to our hearts?  A note from a lover, or a totem object?  Does it contain a memory or a reminder?  The wearer gets to choose.

I love the shape of amphorae – very sensuous and feminine!  The construction was another learning experience – not the least reason being that I actually made the clasp properly this time.  Naturally, I now have ideas for two other projects I want to make, but those definitely have to wait until after the studio tour.

Currently available at: META4 Gallery

More photos:

YOJ11-14 The Keeper of My Secret The Keeper of My Secret (2011) Copper, fine silver, sterling silver, Swarovski crystal Formed, cold-joined, liver of sulphur & ammonia patination YOJ11-14 The Keeper of My Secret The Keeper of My Secret (2011) Copper, fine silver, sterling silver, Swarovski crystal Formed, cold-joined, liver of sulphur & ammonia patination YOJ11-14 The Keeper of My Secret The Keeper of My Secret (2011) Copper, fine silver, sterling silver, Swarovski crystal Formed, cold-joined, liver of sulphur & ammonia patination
YOJ11-13 Ruby Zoisite Pendant

YOJ11-13 Ruby Zoisite Pendant

YOJ11-13 Ruby Zoisite Pendant Ruby Zoisite Pendant (2011) Ruby zoisite (33.32 ct), sterling silver Formed, cold-joined L 4.3 cm x W 1.86 cm x D 1.4 cmRuby Zoisite Pendant (2011)
Ruby zoisite (33.32 ct), sterling silver
Formed, cold-joined
L 4.3 cm x W 1.86 cm x D 1.4 cm

By chance I’m following the YOJ theme again this week, which is “Complementary Colours”.  Ruby can be found in combination with several other metamorphic stones, namely fuschite and thulite, but my favourite is ruby in zoisite.  I picked up this cab, with its rich wine red and splash of sparkly green, at the Toronto Gem Show last year.

I’m a minimalist where bezel setting stones is concerned.  Time and again,  I have avoided the “frilly” and cage-like settings for which wirework tends to be known in favour of something simpler that lets the stone take centre stage.

YOJ11-13 Ruby Zoisite Pendant (back)There’s something about each stone I buy that has really attracted me.  This is one that begs to be held and stroked.  It has a very calming energy that makes it an excellent touchstone for meditation.  I’ve left the back of the stone open so that it can be closer to the skin when worn.

YOJ11-12 Twirl & Swirl Earrings

YOJ11-12 Twirl & Swirl Earrings

YOJ11-12 Twirl & Swirl Earrings Twirl & Swirl Earrings (2011) Sterling silver Formed, flameworked, cold-joined L 6.5 cm x W 1.6 cmTwirl & Swirl Earrings (2011)
Sterling silver
Formed, flameworked, cold-joined
L 6.5 cm x W 1.6 cm

So far in this Year of Jewelry I haven’t been following any of the themes, but this week’s theme, Made from Two Feet of Wire,  was intriguing.  The design constraint – using only two feet of wire total, regardless of embellishment – offered many possibilities.  I decided to focus on earrings.  This pair was the first result that best met the criteria.  I tried various permutations of thicker and thinner wire, some of which produced interesting designs, but used either substantially less or more wire.  It turned out to be a fruitful week!  Happily, I’m also caught up again!

YOJ11-11 Locket Test

YOJ11-11 Locket Test

YOJ11-11 Locket Test Locket Test (2011) Fine silver, sterling silver, snowflake obsidian, amethyst Formed, woven, cold-joined, flameworked L 4.7 cm x W 2.7 cm x D 1.68 cmDuring the YOJ 2009, I made a beaded puffed heart as part of a planned larger work for that year’s HSTA Faculty Show “Vessel”.  The piece that actually went into the show – Shiva’s Pomander – was originally intended as the container for the heart, but ended up being too large.  I loved the design of Shiva’s Pomander, but wasn’t completely satisfied with the clasp.

Since that time I’ve been puzzling over an alternative solution, because I’m determined to make another attempt.  Towards the end of January, I was looking at wirework on Flickr and came across Mary Tucker’s trinket boxes.  I wrote to complement her on the elegant solution she had found to her hinges and closures and asked if I could borrow the  idea.  She graciously directed me to the tutorial she’d posted on her blog.  She also recently had another version of the tutorial published in Step-by-Step Wire Jewelry.

YOJ11-11 Locket Test (front) Locket Test (2011) Fine silver, sterling silver, snowflake obsidian, amethyst Formed, woven, cold-joined, flameworked L 4.7 cm x W 2.7 cm x D 1.68 cmThe idea with this locket was simply to practice starting with a large hole, because my plan is to make a much more involved piece based on what I learned here.  I have a wonderful stash of round snowflake obsidian cabs, so I decided to incorporate one into the lid of the locket.  The weaving took a ridiculous amount of time – something I don’t really have to spare as I prepare for the studio tour – so I have stopped short of what I actually wanted to do.

YOJ11-11 Locket Test (back) Locket Test (2011) Fine silver, sterling silver, snowflake obsidian, amethyst Formed, woven, cold-joined, flameworked L 4.7 cm x W 2.7 cm x D 1.68 cmBecause I was distracted, I didn’t realize until too late that I hadn’t actually made a hook on the back of the locket!  As a result, I had to macgyver a closure/bail.

I will likely come back to this at a later time and rework it.  The result I got here is not quite as refined as I would like it to be, but given my schedule and deadlines, I can’t spend any more time on it right now.  It was a very good test piece, and I’ll look forward to applying what I’ve learned to the next one. YOJ11-11 Locket Test (interior) Locket Test (2011) Fine silver, sterling silver, snowflake obsidian, amethyst Formed, woven, cold-joined, flameworked L 4.7 cm x W 2.7 cm x D 1.68 cm

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Locket Test (2011)
Fine silver, sterling silver, snowflake obsidian, amethyst
Formed, woven, cold-joined, flameworked
L 4.7 cm x W 2.7 cm x D 1.68 cm

 

 

YOJ11-10 Wave Bracelet

YOJ11-10 Wave Bracelet

YOJ11-10 Wave BraceletWave Bracelet (2011)
Sterling silver
Formed, fused
L 17.5 cm x W 1.1 cm (variable)

 

I’m still behind with posting, and I’m remembering that it was at about this point last year that I gave up on the YOJ because other parts of my life were overwhelming me.

I’ve been doing interviews for the next College Review issue of MAGazine this week, and talking to the instructors in various Canadian metals programs. One of the questions I’ve been asking everyone is how they balance their academic life with their own creative work. Across the board, all have commented about how challenging it is.

At the moment, I’m juggling work on MAGazine with trying to get ready for the Lake Scugog Spring Studio Tour. I’m trying to strike a balance between production work and some more involved one-of-a-kinds. I’ve been working on a challenging woven piece for about 1 1/2 weeks now. It’s a dry run for another piece I want to make to submit to the HSTA Faculty Show in June. It’s taking up more time than I expected, and I’m becoming very conscious how quickly my deadlines are approaching.

So, I’ve had to set it aside and go back to production work.

YOJ11-10 Wave BraceletThis bracelet is a repeat of one I made for YOJ 2004-05, only more refined and simplified. I love bracelets, and this one lends itself to being worn in multiples. I made them quite small, but they are still quite loose on my wrist. Surprisingly they fit my husband’s wrist comfortably as well.

I’m still determined to keep up with YOJ, and hopefully between now and next week I’ll be caught up again.

YOJ11-09 Spiral Wand Pendant

YOJ11-09 Spiral Wand Pendant

YOJ11-09 Spiral Wand Pendant Spiral Wand Pendant (1) (2011) Argentium silver, quartz Formed, knotted L 4.4 cm x .5 cm (6 mm bead)Spiral Wand Pendant (1) (2011)
Argentium silver, quartz
Formed, knotted
L 4.4 cm x .5 cm (6 mm bead)

I pulled out the spool of argentium silver while working on the week 8 project, and this pendant grew out of one of the failed attempts at embellishing the earrings.

I used to make little mini-wands with quartz points set in copper tubing and wrapped in leather for the New Age crowd. Clear quartz is regarded as an energy amplifier, and in wand form is used to direct healing energy to a specific place in the body. This updated version of the wand gives a nod to the DNA helix in the knotted spiral, and the faceted quartz bead adds a little touch of bling.

YOJ11-09 Spiral Wand Pendant Spiral Wand Pendant (2) (2011) Argentium silver, quartz Formed, knotted L 3.3 cm x .5 cm (6 mm bead)Macramé is one of those techniques that makes a very natural transition to wire, but the stiffness of the metal requires that the knots be planned out to minimize kinking.  Pulling the knots tight also quickly work-hardens the wire.

Besides a bit of coiling, I haven’t worked with the argentium silver, so this was really my first experience with it.  I’m finding it a bit stiffer to work than sterling, but I’m looking forward to seeing what it can do.

Spiral Wand Pendant (2) (2011)
Argentium silver, quartz
Formed, knotted
L 3.3 cm x .5 cm (6 mm bead)

Registration Now Open for Haliburton Wire Jewellery Aug. 1-5, 2011

  • Carol Christensen
  • Christine Neff
  • Christine Neff
  • Coco Kulkarni
  • Diane Coulman
  • Jan McNichol
  • jan_mcnichol2
  • Judith Goldstein
  • Judith Goldstein
  • Lesley Patterson
  • Patricia Harris
  • rebecca_nadin
  • Sharona Brookman

Registration for Wire Jewellery at Haliburton School of the Arts has begun!

Nestled in the Haliburton Highlands in the heart of Ontario’s Cottage Country, the Haliburton School of the Arts offers week long and weekend courses in everything from painting to glassblowing to blacksmithing.  I’m pleased to be returning to HSTA for the week of August 1-5  to teach wire jewellery!  Come join me for a week of fun and fabulous jewelry-making!  You’ll make earrings, chains, bracelets and pendants in a relaxed and enjoyable learning environment.

Please see my Classes page for more information.

YOJ11-08 Teardrop Spiral Earrings

YOJ11-08 Teardrop Spiral Earrings

YOJ11-08 Teardrop Spiral Earrings Teardrop Spiral Earrings (2011) Sterling silver Formed, forged, soldered L 4.3 cm x W. 1.95cmTeardrop Spiral Earrings (2011)
Sterling silver
Formed, forged, soldered
L 4.3 cm x W. 1.95cm

I’m late posting this week.

I had started working with this teardrop shape last week, after doing research for the next installment of my essay series.  There are many historical examples of boat-shaped earrings, and I found myself paying particular attention to how they were closed.  I wanted to make the earrings secure and still maintain a sleek line.

Originally my intention was to incorporate some sort of weaving, but my muse wasn’t co-operating.  Time and again, I cut the bits off the frame to start over.  Finally, I decided to develop the spiral idea I used on last week’s earrings.YOJ11-08 Teardrop Spiral Earrings

There are so many things on my To Do List at the moment that I’m waking up in the middle of the night thinking about it. It’s one of those situations where I’m too awake to sleep, but too tired to get up. So I just lie there with my mind spinning circles and then during the day I feel exhausted and unproductive. Finally yesterday when I had a chance to sit down to work on jewelry, I couldn’t find my flow. It’s kind of ironic that I ended up with spirals – it reflects what’s going on in my over-active mind!

YOJ11-06 More Butterflies :)

YOJ11-06 More Butterflies :)

YOJ11-06 Fluttering Butterflies Fluttering Butterflies (2011) Sterling silver, aquamarine Formed, flame-worked, cold-joined L 4.8 cm x W 1.9 cm Fluttering Butterflies (2011)
Sterling silver, aquamarine
Formed, flame-worked, cold-joined
L 4.8 cm x W 1.9 cm

 

This week has been very satisfying, both in terms of the pieces I’ve made and the quantity of work I was able to produce.  On top of it all, I had fun!

Early in the week, I was still thinking about butterflies and how they flitter and loop around each other.  That lead to this pair of earrings, and a matching pendant (not shown).  With our local temperatures here still below normal, spring really cannot come too soon.

I’ll be happy to see real butterflies again.

YOJ11-06 Butterfly Drop Earrings Butterfly Drop Earrings (2011) Sterling silver, aquamarine Formed, flame-worked, cold-joined L 3.8 cm x W 1.0 cmButterfly Drop Earrings (2011)
Sterling silver, aquamarine
Formed, flame-worked, cold-joined
L 3.8 cm x W 1.0 cm

Last year, as part of the Marquise Series, I made an earring with drops that were interchangeable.  I continued that thought with these butterfly drops – the briolette can be removed and exchanged for a different drop, or can be worn plain.

The rest of the week has been devoted to other production pieces, and I’m pleased to be in a good groove!